MASK Architects introduces SOLARIS, a self-charging solar motorcycle developed as part of the studio’s ‘Invent and Integrate’ design approach led by founders Öznur Pınar Cer and Danilo Petta. The project explores autonomous mobility through a vehicle capable of generating its own power without reliance on fuel, electrical grids, or commercial charging networks.

SOLARIS operates as a fully solar-powered system. Its defining feature is a set of retractable circular photovoltaic wings that unfold to collect sunlight and supply energy to an integrated lithium storage unit. When parked, the motorcycle functions as its own charging station; in use, it runs as an electric vehicle powered exclusively by solar intake. The concept establishes a transportation model based on energy independence and site-free operation. The design incorporates a biomimetic formal language inspired by the movement and structural proportions of a leopard. This reference informs the elongated front geometry, the structural frame, and the aerodynamic stance of the motorcycle. The formal decisions support balance, performance, and airflow while shaping the vehicle’s visual identity.

the two operational states of SOLARIS | all images courtesy of MASK Architects

MASK Architects Breaks the Global Mobility Business Model

Mechanically, SOLARIS includes a high-torque electric motor, a regenerative braking system that recovers kinetic energy, and a lightweight aluminum–carbon composite chassis engineered for rigidity and reduced weight. The design team integrates an intelligent solar-energy management system that monitors collection, storage, and distribution in real time. A digital cockpit and optional app connectivity provide performance data and solar-charging metrics. The solar-powered configuration positions SOLARIS as a mobility proposal for contexts where access to fuel or charging infrastructure is limited. Potential applications include remote regions, protected landscapes, developing communities, and urban programs focused on low-emission transportation. The absence of fuel consumption and external energy demand also reduces operational costs and maintenance compared to conventional electric motorcycles.

As a research and design case, SOLARIS demonstrates MASK Architects’ ongoing interest in integrating technological autonomy with form-driven expression. The project presents a model of mobility in which vehicles operate independently of external energy networks, emphasizing renewable power generation, material efficiency, and environmental impact reduction.

SOLARIS acts as both an electric motorcycle and a self-charging solar generator with photovoltaic wings

SOLARIS reveals its aluminum–carbon structural frame and biomimetic geometry

with extended solar wings, the bike transforms into a compact solar power station for off-grid self-charging

the circular photovoltaic wings, engineered to maximize solar exposure and autonomous energy collection

symmetry study emphasizes technical transparency, exposed structure, and LED visual signature

the solar wings create a sculptural, halo-like geometry behind the motorcycle

the solar wings deploy automatically when parked, forming a circular photovoltaic canopy

the lightweight aluminum swingarm and carbon-fiber tail structure, designed for structural efficiency

the project’s core principle is total energy independence

SOLARIS in self-charging configuration, where expanded photovoltaic surfaces harvest sunlight

the modular photovoltaic system that enables riders to recharge independently

conceptual visualization of SOLARIS, the biomimetic form draws from the fluid power and muscular elegance of a leopard

project info:

name: SOLARIS

designer: MASK Architects | @maskarchitects

lead designers: Öznur Pınar Cer, Danilo Petta

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MASK Architects presents the conceptual exterior design for Tavolara-100, a 30.5-meter fast cruising sloop designed to redefine the standards of performance sailing and luxury yacht design. Developed as part of a competitive commission for a leading luxury and sport sailing yacht manufacturer headquartered near Udine, the 100-foot (30.5-meter) Tavolara-100 is intended to combine high performance, efficiency, and refined aesthetics. The project reflects the client’s specific requirements, aiming to create a technologically advanced vessel optimized for both speed and comfort.

Tavolara-100 is envisioned as a high-performance monohull that integrates advanced materials and construction methods. The hull is built using a carbon fiber composite with a foam or balsa core, providing structural rigidity while maintaining an ultra-lightweight profile essential for fast cruising. Construction techniques such as epoxy resin infusion through VARTM (Vacuum Assisted Resin Transfer Molding) or autoclave processing ensure optimal fiber impregnation and the creation of a strong, seamless monocoque structure. The yacht’s rigging system is designed for efficiency and performance. A High Modulus Carbon mast reduces weight aloft, improving stability and sailing dynamics. The sail plan incorporates North Sails’ 3Di technology, combining Dyneema and carbon fibers for durability, shape retention, and precision. Technora fiber is also used to enhance strength while minimizing weight, resulting in a sail configuration optimized for long-distance cruising and high-performance sailing.

all images courtesy of MASK Architects

Advanced Materials and Hybrid Systems Define the Tavolara-100

The deck features natural teak surfaces laid over a composite sandwich structure, combining traditional craftsmanship with modern engineering for durability and reduced weight. Interior spaces are constructed with lightweight composite panels, honeycomb structures, and lightened fine woods. The design team integrates carbon fiber elements for both structural efficiency and visual detailing, creating a contemporary interior environment that balances comfort with technical precision. Tavolara-100 incorporates semi-automated sail handling through electric or hydraulic winches, designed to reduce physical workload and improve maneuverability. A home automation system provides centralized and remote control of lighting, climate, and onboard electronics. The yacht features hybrid propulsion technology with energy regeneration capabilities while under sail, supporting sustainability and extended autonomy on longer journeys.

The project represents MASK Architects’ focus on combining advanced engineering with design clarity. Every material, component, and technical feature has been selected to achieve a balance between performance, durability, and aesthetic refinement. Tavolara-100 is positioned as a forward-thinking interpretation of the modern fast cruising sloop, where structural innovation and luxury are integrated into a single coherent design.

the yacht’s sleek silhouette reflects a balance of speed, efficiency, and luxury

top-down view of the teak-finished deck with carbon fiber composite construction

traditional materials meet modern engineering on the open-air deck

the yacht is engineered for extended autonomy and sustainable cruising

every material and element selected to optimize both performance and durability

side profile showcasing the integration of aerodynamics and minimalist detailing

Tavolara-100 expresses MASK Architects’ vision of innovation in modern yacht design

the hybrid propulsion system allows for energy regeneration while sailing

concept exterior view of the 30.5-meter fast cruising sloop Tavolara-100 by MASK Architects

project info:

name: Tavolara-100
designer: MASK Architects | @maskarchitects

lead designers: Öznur Pınar Cer, Danilo Petta
length: 30.5 m

CFD simulation cruise speed: average 15-18 knots

renders: MASK Architects

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International firm MASK Architects unveils ONYX H2-BO 85 — the world’s first superyacht propelled by onboard hydrogen production harvested from seawater. This 85-meter-long vessel combines electrolysis with hydroelectric turbines to provide a sustainable power solution for short cruising distances, minimizing environmental impact. In this way, the ONYX H2-BO 85 emits no harmful gases locally, significantly enhancing the marine environment and reducing the yacht’s ecological footprint.

Hydroelectric turbines efficiently capture kinetic energy from surrounding water, outperforming conventional generators in energy efficiency. This clean energy approach enables the yacht to generate and store hydrogen onboard, eliminating the need for large fuel reserves and providing easily accessible energy during low-speed sailing or anchoring.

all images courtesy of MASK Architects

ONYX H2-BO 85 utilizes seawater for electrolysis

In response to the maritime industry’s growing emphasis on sustainability and emission reduction, MASK Architects’ ONYX H2-BO 85 is the world’s first superyacht to be powered by its own hydrogen production. Consequently, this reduces the yacht’s reliance on fossil fuels, resulting in substantial long-term cost savings amid rising fuel prices and stable hydropower costs.

Within, from opulent cabins to lavish lounges, each space radiates modern elegance, offering passengers a luxury onboard experience with bespoke design solutions. Renowned interior designers have together curated every detail, combining refined material palettes, cutting-edge technology, and sustainable elements to create an inviting and eco-conscious ambiance.

the world’s first 85-meter superyacht propelled by onboard hydrogen production

combining electrolysis with hydroelectric turbines for a sustainable power solution for short cruising distances

ONYX H2-BO 85 emits no harmful gases locally, enhancing the marine environment

from opulent cabins to lavish lounges, each space radiates modern elegance

project info:

name: ONYX H2-BO 85

designer: MASK Architects

lead designers: Oznur Pinar Cer, Danilo Petta

designboom has received this project from our DIY submissions feature, where we welcome our readers to submit their own work for publication. see more project submissions from our readers here.

edited by: ravail khan | designboom

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MASK Architects has designed the world’s first eco-tourism resort in Africa which autonomously produces its own green energy and water for the community. Fitted with Air to Water technology powered by transparent solar device-covered curtain glass, BAOBAB Luxury Safari Resort takes shape as a cluster of beechwood lodges, drawing on the typology of a community settlement and the form of the ancient baobab tree. Creating a serene getaway rooted in nature, the resort invites visitors to reconnect with the rich environment and interact with the wildlife that freely roams around the settlement.

Part of a wider restorative scheme, the project not only seeks to create an idyllic getaway in nature, but is also the first step in the architects’ plan to create a sustainable and ecological community in Africa. The resort collects and distributes water to deprived communities, as well as helping to enhance infrastructure, agriculture, and manufacturing. The architects state: ‘With this project, our goal is to make the most basic need of water accessible rather than a luxury experience, and to prevent hunger, thirst and the diseases and deaths its causes.’ 

all images courtesy of MASK Architects

producing green electricity and water autonomously 

International firm MASK Architects has designed the BAOBAB Safari Lodges to be ecologically friendly and sensitive to its environment while creating a luxury safari camping experience inspired by the prehistoric Baobab tree. Using local materials and injecting local culture, the safari echoes secluded community settlements, reinterpreted as a luxury camping and tourism experience. 

Seeking to build an eco-friendly community powered by green energy, MASK Architects has integrated Air to Water technology into each multi-modular living lodge structure. The system produces water from humidity, extracting and condensing moisture in the air to produce healthy, purified drinking. Air filters are placed inside wood covered aluminum lattice poles that parametrically encircle the facade of each lodge. Air and humidity then passes through these linear channels and is filtered, condensed, and processed through an additional multi-step filtration system in the system room.

While offering a distinct luxury and unique experience for the resort’s guests, the autonomous water network will at the same time serve those in Africa who are struggling with access to water; when enough purified water is collected, it will then be distributed to communities in need through a network.

a luxury safari camping experience inspired by the prehistoric Baobab tree

reconnecting with biodiversity and the environment

Raised 3.5 meters above ground and nestled into their engulfing natural environment, the shelters create a sense of security and serenity. Meanwhile, the feeling of floating high amid the tree line echoes MASK Architects’ concept to create these safari lodges as at one with the wildlife where thresholds between the indoors and outdoors are distorted. For a unique experience the pool has been integrated to the top floor, providing panoramic vistas of the safari zone. Along the lower boundary, an interaction balcony allows guests to feed the wildlife that roam around the settlements. Installed with toughened glass on the floors, these give a different perspective of the animals sheltered below. 

MASK Architects raises the pool to the top floor for panoramic vistas of the safari zone

The exterior structure is crafted from local beechwood to create a tropical safari resort. Around 40 structural pillars support the floors and also house the transparency glass and light-weight material in between. Designed for easy mobility, the modules are arranged in a formation that can self-sustain as an integrated community or create a larger eco-friendly community called ‘Eco Safari Lodges’. These structures have been designed to invite visitors to connect with nature and wildlife in a remote setting.

Inside, the lodges contain all amenities for a comfortable living experience. They can also be used in many different sectors, from housing, restaurants, bars, lounges, spa’s, offices, fitness and educational centers, staff facilities, security, watchtower posts, and more.

BAOBAB Luxury Safari Resort takes shape as a cluster of beechwood lodges

an interaction balcony allows guests to feed the wildlife that roam around the settlements

air filters are placed inside wood covered aluminum lattice poles that parametrically encircle the facades

the self-contained lodges are fitted with all amenities and their own energy sources

MASK Architects reinterprets community settlements as a luxury camping and tourism experience

project info:

name: BAOBAB Luxury Safari Resort

location: Africa

architecture: MASK Architects

design team: Öznur Pınar Çer, Danilo Petta

designboom has received this project from our DIY submissions feature, where we welcome our readers to submit their own work for publication. see more project submissions from our readers here.

edited by: ravail khan | designboom

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MASK Architects and Jiang & Associates Design (J&A) have joined forces to propose a spellbinding installation inside the Zhengzhou metro line-7 stations in China. Titled ‘The Flower Clouds,’ the conceptual design is envisioned as a cluster of flower petals emerging from the ground like translucent canopies fitted with lights that will pulsate throughout the structures, interacting with the subway, music, and movement unfolding in real-time.

The project is part of the first phase of the Zhengzhou Rail Transit Line 7, currently under construction and expected to be operational in 2023. Spanning 26.82 km, the line begins at Dongzhao Station and ends at Nangang Liu Station. It holds two floors — one for arrivals, one for departure — with a total of 20 stop points, including 11 transfer stations.

all images courtesy of MASK Architects 

 enlivening daily commutes with pulsating, flower canopies

Explaining their vision, Öznur Pınar ÇER and Danilo PETTA, founders of MASK Architects, write: ‘Our new generation concept for a metro station in China is inspired by how commuters interact with the space and how they feel within [it] on their daily routes. We know that sometimes this daily journey or commute can be very dull and boring, almost an unconscious journey that we don’t really focus on too much.’

‘[…] We have created a concept for commuters to feel like they have transited into a new world. […]The environment will be welcoming, elegant, light, and warm. A place where all pressure and stress will be reduced, where your mind becomes open and active instead of tired and sleepy. We wanted to create a social space, in which the commuters can engage with the surroundings and the environment.’

‘The Flower Clouds’ is part of the Zhengzhou Rail Metro Line-7 stations, currently under construction 

transparent steel mesh meets gradient terrazzo flooring 

MASK architects and the team at J&A looked to Nanhuan Park in Zhengzhou for inspiration, a place renowned for its flowers and roses. They wanted to inject that natural spirit inside the subway, creating a flow that gently connects the outdoors to the indoors and uplifts the overall mood of a daily commute. As such, ‘The Flower Clouds’ installation operates as an expandable, mobile, and modular set of flower-like structures that can be organized in various patterns. ‘We can create different systems in which the perspective can be changed and can create different flows of avenues for people to explore or be directed to their platforms,’ continues MASK architects (see more here).

For transparency effects, the 3D bespoke structures will be built using 0.1 mm stainless steel mesh. The team chose the material as it’s easy to mold and sculpt into different shapes and curves. Lighting, meanwhile, will be embedded in multiple sequences and patterns that will beam and pulsate across the ceiling, from petal to petal, like the ripple of a wave. ‘The Flower Clouds’ installation at Zhengzhou metro line-7 stations, therefore, acts as a sort of light show, transforming the typically dull and mechanical features of a subway into a spellbindingly ‘natural, nourishing, flourishing, and refreshing space.’

using gradient terrazzo flooring as directional guides for commuters 

Complementing the translucent lower canopy installation is a grayscale flooring pattern made of gradient terrazzo on vinyl. Fitted on both floors of the subway interior, the design will reveal an intersection of line flows — from dark to light gray — acting as directional signs to help guide commuters to their designated stations.

the modules can be clustered in a variety of patterns and numbers

the lights beam and pulsate across the ceiling like a lighting show 

an expandable, mobile, and modular installation system night-time lighting, emphasizing the petal outlines rippling across the space

project info:

name: The Flower Clouds | Zhengzhou Metro Line-7 Stations

concept by: MASK Architects + Jiang & Associates Design (J&A)

location: Zhengzhou, China 

number of stations: 20 

line length: 26.82 km 

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mask architects designed ‘madre natura’, a sustainable development of modular system style development in natural settings. inspired by the work of artist ‘costantino nivola’, they have taken inspiration from the ‘la madre’ sculpture. taking place in sardinia, italy, this project will be a new addition to the orani social, exhibition, and living areas. the design will be an iconic identity as livable and sociable art pieces and architectural structures that will develop a new identity of the city. the studio is the first architecture and design studio in the world to use a steel 3D-printed ‘exoskeleton’ construction system that supports and distributes all the functional elements of the building, using their new solution of construction technique which they called ‘exosteel’.

mask architects aim to integrate architecture, art, and technology in this livable museum project. they want to preserve and protect the heritage of orani, give respect to constantino nivola and his work, and continue his legacy by using modern techniques and our style integrated within the design. the site is a sloppy mountainside that will be transformed into staggered sections that will provide different levels for the modules to be situated in. surrounded by natural scenery, the development will be self-sustainable working in harmony with nature. sardinia is known to have strong winds, for this reason, the modules are designed in a way to allow wind to pass through by created voids on both sides of the structure.

all images courtesy of mask architects

self-sustainable and intertwined with nature

mask architects designed each building to be ‘self-sustainable’ and can also provide energy resources to the grid of the development. each module is designed to be expandable and flexible so that it can always suit any terrain and meet the needs of any development. each building is centered with an ‘energy tower’ that will provide all-natural generated energy from solar and wind. the energy tower is covered with solar panels that will harvest solar energy while the top of the central energy tower itself will rotate 360 degrees at the same time with the wind that will also generate wind turbine energy. the voids in the modules allow channeled wind through that can be directed to the wind turbines.

placed at the top of the tower are also some technological instruments such as smart cameras and fire detectors. this is to provide social security and also to have natural security against natural disasters. throughout the lower part of the central tower, we have housing for all the technical equipment of the module that houses all necessary storage for water and energy as well as distribution stations for the surroundings.

the structure is built using a steel 3D-printed ‘exoskeleton’ construction system

light on the modules also provides visibility for the surrounding areas as each building acts as a beacon on the mountain. at night time the lights can also provide entertainment lighting for social use and exhibitions. the network of lights on all the modules are enabled to work as a single unit for events for the surrounding museum as well as nationals days etc. there can be many different formations in which these modules can be situated on the site, from a single module being sustainable on its own to a gathering of modules in a kite diamond formation to create a small community.

created with a completely self-supporting steel carcass metal structure

modules are expandable, flexible, and adaptable

the project can also adapt to the social area in need of emergency services. an example is that during the ‘covid-19 situation’, modules like these can be used for ‘self isolation’, and also the social space can be broken up into different and limited use sections. the modules are designed to be expandable, flexible, and adaptable and used to help the community in every way possible.

the main centered energy tower that houses all the systems is constructed out of a steel skeleton. by connecting bearing steel beams to this skeleton column, a completely self-supporting steel carcass metal structure is created. the designers were able to create the distinctive exterior structure of the carcass due to this metal skeleton. the main exterior material is effix-based composite light grey panels, which provide a combination of comfortable isolation of the space and combining the white-stone aesthetic feeling like the ‘madre sculpture’.

light on the modules provides visibility for the surrounding areas

the main exterior material is effix-based composite light grey panels

placed at the top of the tower are also some technological instruments such as smart cameras and fire detectors

project info:

name: exosteel ‘mother nature’ modular prefabricated houses
designers: mask architects

location: sardinia, italy

designboom has received this project from our ‘DIY submissions‘ feature, where we welcome our readers to submit their own work for publication. see more project submissions from our readers here.

edited by: yasmina karam | designboom

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all images courtesy of MASK architects 

in order to complete this villa, MASK architects combined the inspiration that they drew from the regional architecture and materiality, with their own style. their aim was to realize an organic design with natural textures, composed of local materials. nestled between rocks and vegetation, and bordering the beach with its crystal blue waters, the project integrates with the natural surroundings in a harmonious manner. it generates an atmosphere of slow, laid-back summer living, encouraging mindful connection with family, friends, and the freedom to exist peacefully in nature.

the living area consists of a large living room that connects to the outdoor pool and the exterior landscape through foldable windows. large openings throughout the residence allow the light to permeate the interior, generating a bright environment. the villa design is centered around a curved wall located in the living room, with the main body structure developing around it. 

the villa is characterized by elegant textures, refined interior décor and prime traditional finishing. the architects have used curved shapes and volumes to achieve both indoor and outdoor space distribution and division perfectly, in accordance with the landscape. the distinct exterior shell is materialized with the use of traditional finishing, reminding of a ‘rock house’. a cave-like formation on the roof is inspired by local rocks that display voids due to corrosion and the effects of various natural phenomena. 

through the cave void, users are able to access the terrace that serves as a lounge area. being on the roof, the void also gives occupants the opportunity to walk on the roof and enjoy the panoramic view day and night. the forest atmosphere gently embraces the house guaranteeing an innate sense of tranquillity and vivid colors. the outdoor garden is designed as a forest with natural stones and local plants, embracing the structure sensitively.

the dwelling includes five bedrooms and a series of living areas, that the client can enjoy with family and friends. one of the bedrooms is actually a spa, featuring a cozy sauna and a massage spot. the bedrooms’ windows offer extended views towards the sea and the surrounding vegetation. all the bedrooms enjoy sufficient natural sunlight thanks to the large openings that connect with graceful outdoor areas and enhance the sense of continuity between the interior and the exterior.

through the featured pool provides continuity and transition between the interiors and exterior with foldable curtain walls, that the user can open to give a sense of maximum openness in the living room. the swimming pool will act like an infinity pool in which at numerous angles the swimming pool lines up with the sea and seems as the pool drifts off into the sea. a seemingless transition between home and into the sea. the organically shaped stunning swimming pool is surrounded by outdoor activities such as an outdoor kitchen with a big dining table, outdoor cinema, sunbath and multipurpose area.

master plan

first floor

cave terrace floor

section

north elevation

project info:

name: villa G01
architecture office: MASK architects
architects: öznur pınar çer, danilo petta
location: sardinia, italy

designboom has received this project from our ‘DIY submissions‘ feature, where we welcome our readers to submit their own work for publication. see more project submissions from our readers here.

edited by: myrto katsikopoulou | designboom

The post MASK architects weave organic villa design into natural landscape of sardinia appeared first on designboom | architecture & design magazine.

all images courtesy of MASK architects

‘oasys’ by MASK architects stands as a barrier from heat, UV rays, noise and wind, protecting visitors from all sorts of harmful elements. inspired by the appearance of palm leaves, the modular complex includes groupings of ‘palm structures’ that can be adapted to a series of spaces of all scales and environments. the palm canopies are underlined with nozzles that spray mist into the air to create a cool atmosphere, and the roofs feature solar panels, to harvest solar energy. meanwhile, the leave and branch formations of the structure help protect against wind and sound.

any outdoor function might easily be adapted to the ‘oasys’ modular system, that can be altered to form a network of hubs and centre points that may serve as islands for rest, relaxation, and socialising for the community. furthermore, the system could also house temporary pop-up stands, cafes, sitting areas, exhibitions sites, nature retreats etc. in this way, the project also promotes keeping in touch with the local cultural heritage and landscape of historical and modern design.

one main advantage of this specific modular design is that the foundation base houses all functional technical data (water and and electric supplier pipes and the steel structure), which can be distributed and built up on selected land to provide a network of foundations for future requirements. each ‘oasys’ system has a steel structure as a main body, which is connected to the concrete foundation at basement level. 

between the main steel structure and the finished cladding material, the design features a double layered surface to create a gap. within this gap, there are lighting beams that illuminate the palm structures. the exterior cladding material is made from a 30% glossed-transparency material that, combined with the double-layered gap, makes the whole structure appear deeper.

project info:

name: oasys
architecture firm: MASK architects
lead architects: öznur pınar çer, danilo petta

designboom has received this project from our ‘DIY submissions‘ feature, where we welcome our readers to submit their own work for publication. see more project submissions from our readers here.

edited by: myrto katsikopoulou | designboom

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project designer’s öznur pınar çer says ‘this project aims to create a new experience for visitors by creating a ‘camera obscura’ installation on top of the museum’s roof and exhibition rooms… bringing together a synthesis of ancient and new technology that adds value to the seoul photographic art museum’s mission of entertaining while educating its audience.’

MASK architects claim the design will attract the interest of both photographers and the general public making it a landmark and underlining the fact that the museum is actually the first photographic art museum in seoul. ‘the combination of education and entertainment also brings the history and future of photography in the same place and at the same time in a way that will make the museum’s building a perfect synthesis of past and future that we find is a thriving value in contemporary seoul.’ says the designer in MASK architects.

the camera obscura turns the seoul photographic art museum into the first public building in the city to host such a special and attractive design. one of the key values of the proposal was to enhance the educational role of the building by using an invention, which also work as a great introduction to the world of photography.

visitors that stand around the gallery space will virtually walk among the clouds, using a technology that requires nothing but sunshine. moreover, by tilting the lens of the camera, the designers are able to show segments of the city’s urban landscape, immersing visitors in a new reality and making them participate in actual living photography of the city. 

the camera obscura works inside the museum due to the two lenses and a large periscope mirror that were installed on top of the building. its closable and openable system enables the area to become dark by closing the pinhole for a dark atmosphere for exhibition. on event, the pinhole will be open to show visitors how it could be to realize a real camera. this system provides a great event and experience for users. 

at the top of the roof surface on the west side, a mirror was used to reflect the inverted image to display sky images on the middle of the gallery space on the event and educational programs. the mirror is controlled by the computer, so  the interior of the cloud chamber has trees, clouds, and blue sky projected across the white cement walls. 

at the top of the building, the designers mounted a plain mirror, protected by a hood and a window-pane. the mirror is angled so that natural light reflects downwards into the tower. the light will pass through three lenses, bringing the focus onto the gallery space. the lenses also switch the sky view so that it appears upside down on the gallery space. the mechanism will be adaptable and orientable , according to the exhibition events. when the main gallery space is darkened, the visitor’s eyes adjust to the light and they will see the reflected images. 

the main purpose of the project is to use the structure and shape of the building itself as a big camera. the camera obscura idea on the top of the building will project the wide sky that could be seen from the roof. it can also be used on the west and east surfaces of the building, which would allow the camera to show seoul’s urban landscape across the gallery space. now, just by walking on the gallery space that is in the centre of the building, visitors can experience in real-time lively scenes of the surrounding seoul city. 

the device applied to a space will provide a wonderful experience for all kinds of local public, making the visit a must for tourists of seoul. the installation will also expand the educational opportunities, cultural and economic growth for the residents of the northeastern region. moreover, local residents, professional and amateur photographers will have the chance to profit from the museum’s collections and exhibitions. and all these cases, the ground floor space, in which the camera obscura would project the outside images, will be used for festivals, forums, and exhibitions that will further enhance the dynamic and lively nature of our installation. 

 the ‘photographic art museum’ design sets itself in contrast to the block-like structures t hat surround it in seoul, korea. at the same time, this cultural center takes inspiration from taekkyeon which is a traditional korean martial art that makes use of fluid, rhythmic dance-like movements to strike or trip up an opponent. on the front side of the building there is a cantilever on the south side that represents the kick of the human such as taekkyeon dance movements, which are fluid, organic and strong in their emphasis. 

the building has a trapezoidal shape, different from every angle. the open form invites the public into its space. the overhanging structures on the front of the building double up as projecting roofs, guiding the visitor into the orientation area, ticket hall, cafe and bookstore hall. the exposed steel structure appears like a huge sculpture with decoratively alternating light and shadow on the wide forecourt. 

each of the angles of the building provide a different perspective so that visitors can share the exciting feeling the building communicates while they are surrounded by its infrastructure. the overlapping, curved contours on the surface break out of the orthogonal urban grid pattern, attracting visitors magically. museum design’s fluid architecture embodies an enlightened philosophical framework. the centre’s fluid exterior surfaces rise from its surroundings to define a series of exhibition, education, and research spaces within, inviting the urban fabric of the city into the heart of building. 

the museum rises up to 22 meters in height and covers an area of 84.5 sqm. inside, the center of the building has an impressive spiral staircase that leads to the four-floors of the exhibition and education level as a continuous and fluent design. the dynamic stair sculpture not only connects the exhibitions and education levels between the orientation zone but also acts as a stage for the flow of movement through the ‘vertical decorative element‘. 

the exhibition part will be comprised of optical illusions, puzzles, etc., providing guests with dizzying alternate realities and tricks for the mind and the senses. gamification will be a key element of these exhibitions. visitors are encouraged to get involved with everything, play with it all, and unlike a lot of learning centers, there is nothing in this one you are not allowed to touch. 

its interior will be distributed over the 3rd and 4th floors, that hosts a wide variety of artworks of over 1,435 square meters of exhibition. it’s particular external form does not allow the entry of the light. however, some of the exterior facade panels would be made openable, closable, and adjustable for the times in which there will be need of daylight in that area. 

the architects aim to develop a characteristic feeling of unison between fluid forms, daylight, and lighting at the photographic art museum design. linear louvers follow the conceptual grid and filter the sunlight—ensuring a soft light for the structural curves. electrical lighting is concealed wherever possible. the black stairways create an intense contrast with their white luminous underside. diffuse light flows through the building and builds a calm counterpoint to the dynamic lines and the black and white material contrast. 

the design of the exterior lighting is driven by fluidity and seamlessness. thousands of light pixels on the surface remind the audience of a dream-like starry sky. light patterns are following the structure pattern on the exterior surface. these waves stand in clear contrast to the crystalline exterior with the rectangular silvery facade pattern. 

our temporary art installation and night shown on the exterior facade represents a dream-like landscape in which light patterns and changeable colours react to the flexible movement of a membrane while embedded in her parametric architectural language. the installation of the screen on the front bottom surface will represent a nice atmosphere for visitors during the night. the exterior lighting design will be tracing a remarkable path from fragmented light line s to a luminous fluidity by day and night. 

the main structure of the photographic art museum is a mix of reinforced concrete core , steel space frame structures for the main frame and composite beams and decks. the skin of the building is clad with rectangular of silvery aluminium cladding panel with joint lighting elements for the exterior lightings of the building. the s pace frame is composed of a special steel tube-and-nodes that was devices to utilize a space frame as its main structural element; the cladding is a curtain wall system comprised of various specially fabricated panels. 

project info:

architecture: MASK architects

project name: seoul photographic art museum

location: seoul, korea

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edited by: cristina gomez| designboom

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